Using edits and feedback from our remote advisors Lawrence & Matthew, and with the amazing help of our advisors Anna and Dimitra in the rehearsal space over the past week, we’ve been building up a performance for Saturday’s show:
Me & My Whale is a project that, like its subject, is an absolute leviathan. By setting our aims to incorporate different approaches to composing, devising and performing, by setting our goal to couch it inside a cross-temporal and generative framework, we’re trying to create a new form of expression. For now, we’re telling a story – about the lonely submarine captain who falls in love with a whale. That’s what we’ll enact through body, sound, image, text and form on Saturday. If you can, come down!
SubAquatic Soundscape: One of the defining aspects of the sound design is that each scene’s sound is built up by manipulating the previous scene’s sound, or by building new soundscapes using a mixure of microphones, hydrophones, human-computer instruments and synthesis. This is an extract from one of the hydrophones setting up the submarine acoustic.
ToneHarm:a patch which detects the pitch of an incoming voice and then matches it with six sine tones, creating a sort of echoey delayey followy feeling. Needs work to make it nicer, but I like the difference between the soft, thin sine tones and a rich, harmonic-filled voice.
a spectrogram is a visual representation of sound – it’s a computer program which shows you how loud each pitch in a sound is over time. it’s at the same time mechanical, algorithmic, inorganic, and perceptive, intuitive, beautiful.
it’s a bit like how popular it is listening to whalesong relaxation videos online – their songs repitched and relayered, and the multitude of clicks, chirps, blows and tail kicks that aquatic mammals produce omitted to suit our conceptions of beauty.
remember that god’s chorus of crickets track that makes the rounds every few years? it falsely claims to use otherwise unprocessed slowed down cricket sounds, when in reality there’s a choir and heavy processing happening, in order to promote a religious branding.
we alter the world around us for ourselves, and most of the time it’s by our curiosity and observation that actually makes these changes happen, like how a blue whale can look like a sunset, or a minke whale like a wheat field, and how seismic airguns, tunnelling for oil offshore, silences them both